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Happy New Year! A bit late I know, but I’ve been busy cleaning and tidying my work space, drinking a lot of coffee, shouting at the news, and avoiding all the new year’s resolutions I should probably make…

My only real ‘resolution’ for this year is to get back to work and open up my shop again. I’m still struggling with various dull health issues but with the state of things at the moment (a woefully underfunded and overwhelmed NHS in particular), I very much doubt anything will get done about that this year. All I can do is try to get myself as fit as possible with a view to being able to work part time. I need to keep being creative for my mental health and wellbeing. I also need to earn some money, because I’m absolutely skint and art materials, websites and such are expensive. Even more so this year because of the absolute STATE of things…

Anyhoo, this blog is just a quick update to show you a few recent bits of work I’ve done and to share a rather lovely Twitter thing, for anyone else who’s been struggling with motivation recently.

This was Luce’s Christmas present from me and I had a lot of fun drawing it. We are both big comic nerds and Tank Girl is one of my all time favourites. Lola the dog is affectionately known as ‘Tank’ for obvious staffie-related reasons. You can see how this was always going to happen, can’t you? Bork! Bork! Bork! Bang! Bang!

I’ve also added a few more ink sketches to my ‘Women Who Rock’ project. Here are Debora Iyall, lead singer of Romeo Void (do yourself a favour and click that link if you remember the 1980s. Or even if you don’t. Debora ROCKS) and Pauline Black of The Selecter:

Debora Iyall
Pauline Black

This is Debbie Smith, one of my favorite guitarists, probably best known for playing with Echobelly (gratuitous link to my favourite Echobelly song with a little bit of live Debbie footage, because you get ALL the bonus music today).

Debbie Smith

I took a month or so off over Christmas and new year and this was my first ink sketch of 2022, inspired by the sad loss of Ronnie Spector on 12 January.

It was tough getting back to my drawing table after the Christmas break, even if the soundtrack was excellent. Which brings me to a nice Twitter thing that’s happening right now. My Twitter friend Dr Mand (https://twitter.com/mandapen) came up with the rather marvellous hashtag #MyOneThing. Here’s an explanation in her own words:

Anyone can join in by just using the tag and I absolutely recommend it as a way to move forward when the blank page or the massive ‘to-do’ list, or just the housework seems overwhelming. Just do one thing, even if it’s a very small thing. Then do the next thing. And give yourself credit for doing the things. I’d be really interested to hear how you get on if you give it a go, and there’s a lovely group of supportive people tweeting about it.

A nice thing on Twitter? Whatever next… That seems as good a place as any to wrap up for now. At the risk of making another resolution of sorts, I will try to be a better correspondent this year, one post at a time.

Bonus Music Video

Regular listeners will know I *love* a cover version, the more obscure the better. I recently became aware that Juliana Hatfield had done an album of Police covers and I am the sort of musical nerd for whom that sparks deep joy. So here’s something for anyone else who’s feeling a bit existential right now.

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You Didn’t Think It Was Going To Be That Easy, Did You? You know, just for a second there, yeah. I kinda did.

Remember my good news last week? Not so good now. Turns out my surgery is going to be delayed because somebody didn’t order the MRI I need beforehand. Which begs questions such as ‘who messed up?’, ‘how the flip heck did I get a surgery date without it?’ and ‘will it go ahead before July?’, because that’s as long as the pre-op is valid.

To say I am furious about this appalling carelessness after three years of waiting quietly and patiently is quite the understatement. I am… really very cross.

A bit more good news though; despite ending last week a small, spitting ball of fury (and despite DPD doing their usual bang up job and failing to deliver on the right day) I managed to acquire and set up a new laptop. After spending the requisite couple of days wrestling it from the grasping clutches of Microsoft, it’s now much easier for me to work on my website. Hurrah!

The first new feature I’ve added, as promised, is a gallery of all my drawings for #the100dayproject. You can find a permanent link in the main menu above. I’m so pleased to have started something I’ve had on a ‘back burner’ for years and I will add more to the gallery as I continue.

This is one of my favourite drawings so far and I thought some of you might be interested to see a few ‘work in progress’ photos:

Would you like to see more work in progress photos, generally? Let me know if you’d find it interesting and I’ll attempt to remember to take some…

This is Marissa Paternoster, who you might know from her bands Screaming Females/Noun or her collaborations with other musicians, including Garbage. Fangirl squeal moment: I shared the finished sketch on Instagram and this happened:

Pleased ‘weasel. Especially as Marissa is an awesome visual artist as well as a brilliant musician.

Bonus Music Video

Anyone who knows me even slightly will have read the title of this entry and skipped straight here to see if I am really a fan of Taylor Swift. Newsflash: I’m not. But I think this is one of the best covers of Anything. Ever.

You should go check out all things Marissa Paternoster, Screaming Females and Noun. Do it now, you can thank me later.

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Well what do you know? I’m here with a quick update because I have some Very Good News. Several bits of Very Good News actually and that’s surely worth shouting about when good news seems to be in very short supply.

Firstly, I finally have a surgery date in June! June this year! This will be the second of two surgeries to fuse my sacroiliac joints and relieve some of the pain from my chronically dodgy and degenerate back. I had the first op in April 2019, after waiting for a year. Second op should have happened around six months later, but NHS waiting list and global pandemic means I have been lop-sided and struggling since then. So… Very. Good. News.

Of course I got the call a few days after I decided it wasn’t going to happen and I would just have to make the best of things, to which end I purchased this instrument of torture…

Nerve damage in my right leg means it randomly stops working from time to time, so walking outside is risky. I figured I couldn’t hurt myself too badly falling off this onto the carpet. Haven’t fallen off yet, and I’m already feeling stronger and fitter after four weeks, which should help with surgical recovery.

Secondly, thanks to some very generous folk donating through Ko-fi, you may notice that (after we did a great deal of swearing and faffing with my domain) you’re reading this via poochweasel.com. That’s right… this is now my website as well as my blog!

I still have a lot of work to do, but I’m really looking forward to building galleries etc. and reinstating my shop. My old website was always pretty clunky to manage and update but WordPress have some great tools that seem reasonably idiot proo… umm… ‘weasel friendly.

Luckily, Lola is available to provide technical support and ensure there is always a bol in my slippers.

Finally, today is the last day of #the100DayProject. That’s not good news, the good news is that I have thoroughly enjoyed myself and I plan to carry on with the project as a ‘hobby that might even develop into something’ now that I’m back in the habit of daily drawing. I failed dismally at the posting on social media every day part of the challenge but I will be adding a website gallery page so that you can see all the drawings I completed and I can add new work occasionally. Did I mention that I’m loving having my website back so I can share ALL THE THINGS? Because I am.

Here’s a sneak preview of the #100daysofwomeninmusic drawing I’m (probably) finishing today. It’s Amanda Palmer and I like this piece so much I’ve reached the ‘terrified to add another single line to it’ stage… Artist fun times!!

I’m pretty pleased with these drawings overall (very pleased with a few!) and I’m delighted and slightly astonished to have kept up with the whole 100 days. I think this is the first time I’ve managed to finish a challenge like this. I’m starting to grudgingly admit that I’m probably ‘semi-retired’ now (ugh), but it’s really encouraged me to keep going creatively, which is also Very. Good. News.

Bonus Music Video

As usual, the title of this blog entry is from a song. Keep on Livin’ by Le Tigre is one I play LOUD any time I need to remind myself just to keep going. If you enjoy it, I strongly urge you to watch The Punk Singer documentary. If you pause the credits and squint, you might even catch my name as a Kickstarter backer for the film…

THIS IS YOUR TIME THIS IS YOUR LIFE!

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Look at me keeping up with #the100DayProject like a champ! And not keeping up with social media at all… Oh well, if something’s got to give it’s better that way round. Here’s another update on my 100 Days of Women in Music, which I’m also using as a hashtag for the project on Twitter and Instagram. I’m so pleased that I’m still enthusiastic about the whole thing and I’ll definitely be carrying on and seeing where it ends up after the 100 days.

I’ve now finished eleven drawings, an average of one every three days, which is pretty good going. Here’s the one I was just starting when I last blogged:

I loved doing this. ‘Mama’ Cass Elliot, best known for being in The Mamas & the Papas in the mid 1960s. She has been one of my favourite singers since I was a little girl. Even before I developed a love of California folk-rock, I saw her playing a character called Witch Hazel in the 1970 film version of an unhinged US children’s show called HR Pufnstuf. Don’t do drugs kids, there’s no need! You can safely experience all the thrills of not knowing what the flipping heck is going on or why by watching the video clip below…

I actually did a really quick sketch of her character for Inktober a few years ago.

After that I struggled a bit. I did two sketches I wasn’t entirely happy with, but I’m taking a deep breath and sharing them anyway because as well as commitment, this project is also about about sharing your ‘process’. I’m not unhappy with them exactly, but I think the shading on both is a little overdone, probably because I found myself thinking about how many drawings I might manage in the hundred days and subconsciously rushing to finish.

  • Kathleen Hanna
  • Ani DiFranco

That’s part of the reason I committed to black and white ink drawings though, at least or this first bit of the project. There’s nowhere to hide. I’d already planned to do more than one picture of both, and I’m still improving my rusty people-drawing skills, so I’m happy as long as I’m generally going in the right direction. This week I had a stern talk with myself, slowed down, gave myself lots of detail to faff with and waddya know… I’m much happier with this!

Siouxsie Sioux of Siouxsie and the Banshees. Note to self: no more 1980s fishnet gloves. I was seeing those in my sleep. I’ve drawn a lot of dark hair recently too, maybe I’ll go for someone bald next? I have a couple of candidates for that.

Bonus Music Video

Seeing as I shared the Witch Hazel clip, I think it’s only fair that this week’s video is Cass singing live. Not the best quality visuals but that voice still give me goosebumps.

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Quick update on my sketches for #the100DayProject. The first four drawings I did are on my previous blog entry, which I utterly failed to publicise, because… well, I’m a bit rubbish at that sort of stuff. I’m doing 100 Days of Women in Music (which I’m also using as a hashtag for the project on Twitter and Instagram).

First up last week was Joan Armatrading. Took me two attempts, but I was really pleased with this in the end:

Over the weekend I did Shirley Manson, lead singer of Garbage. I fancied doing something a bit looser/sketchier and managed to get this finished over a couple of sessions.

I was speaking to a friend in the US on Sunday night (at about 1am, when Luce and I had celebrated Valentine’s Day with a disgraceful amount of Belgian beer) and I asked who she’d like to see me do next. She suggested Joan Jett, so I embarked on this.

I stupidly pushed myself to get it finished on Wednesday, so of course my back said “no” and it ended up taking me most of the week… Will I ever learn? Probably not. But hey, Joan looks good and it really boosted my confidence.

Yesterday I started on someone who has been one of my favourite singers since I was very small… as well as being in a really well known California folk-rock group, she played a witch in a US children’s show in the 60s. Any guesses? Go on, I’ll be *thrilled* if anyone gets it right!

Bonus Music Video

Only one song it could be this week…