Quick update on my sketches for #the100DayProject. The first four drawings I did are on my previous blog entry, which I utterly failed to publicise, because… well, I’m a bit rubbish at that sort of stuff. I’m doing 100 Days of Women in Music (which I’m also using as a hashtag for the project on Twitter and Instagram).
First up last week was Joan Armatrading. Took me two attempts, but I was really pleased with this in the end:
Over the weekend I did Shirley Manson, lead singer of Garbage. I fancied doing something a bit looser/sketchier and managed to get this finished over a couple of sessions.
I was speaking to a friend in the US on Sunday night (at about 1am, when Luce and I had celebrated Valentine’s Day with a disgraceful amount of Belgian beer) and I asked who she’d like to see me do next. She suggested Joan Jett, so I embarked on this.
I stupidly pushed myself to get it finished on Wednesday, so of course my back said “no” and it ended up taking me most of the week… Will I ever learn? Probably not. But hey, Joan looks good and it really boosted my confidence.
Yesterday I started on someone who has been one of my favourite singers since I was very small… as well as being in a really well known California folk-rock group, she played a witch in a US children’s show in the 60s. Any guesses? Go on, I’ll be *thrilled* if anyone gets it right!
Ten days into #the100dayproject and I am having an absolute blast! After much umm-ing and aah-ing, I finally decided on 100 days of Women in Music.
Fondly (and humorously) known here at Poochweasel Towers as my ‘rock chicks project’, I’ve been wanting to do something like this for ages. Last year I indulged myself with a few days of graphite pencil drawing, but then last year went nuts and I never got any further…
Vi Subversa of the Poison Girls. I still want to be Vi when I grow up.
I like to set myself a challenge and I rarely draw people. I’ve chosen to start with ink drawings, even though I’ve been doing a lot recently, because ink is less forgiving than graphite so it requires some bravery and confidence. It also stops me faffing about with shading for days, just because it’s comforting… the whole idea is to get out of my comfort zone and improve my rusty people-drawing skills.
It’s also about making a plan and sticking to it. The idea of the 100 day project is to commit to something creative, work on it for at least 10 minutes a day for 100 days and share your process online. I started by making a list of 100(ish) women who have been influential/important to me, musically. It’s a very personal list, so there will be a lot of punk/post-punk, Riot Grrls and alternative/indie in there and it will most certainly reflect the fact that I worked for Our Price Records in the 1980s.
My first couple of drawings were a bit small and tentative. Here are PJ Harvey and Poly Styrene. I started Poly on a similar scale to PJ, then made the decision to start again and concentrate on her face.
At that point I realised I’d been putting unnecessary pressure on myself by trying to produce a finished drawing every day. I already do a lot of quick sketches and I reminded myself that this was about working on something every day and sharing the process. I won’t end up with 100 drawings, but this is only the start of my Women in Music project.
Having decided that doing larger, more detailed drawings was a good decision, I embarked on Joni Mitchell (a young Joni; I’m going to have to draw several of these women at different ages). I was much happier with this:
A couple of days ago I finished (legendary rock drummer) Patty Schemel. I think I’m already seeing some improvement and I’m starting to feel confident again. More importantly, I’m having fun!
Today I’m finishing Joan Armatrading, I’ll share that one next week. Now I’ve just got to keep on going. 10 days down, 90 to go… If anyone else is doing the challenge, I’d love to see what you’re up to. Come and talk to me!
Bonus Music Video
If you’d like to know a bit more about Patty Schemel, I love this (4 minute) video of her talking about how she started out as a drummer. And here she is hitting stuff:
Apologies for disappearing again. Like so many others, the latter part of 2020 was truly awful for us. Luce’s dad sadly passed away in November and we lost our beautiful Ruby dog right before Christmas so it was a very sad time. Also, due to the pandemic, I’ve now been waiting over 18 months for the second part of a two-part spinal surgery and being lop-sided for all that time is really taking its toll. So yah boo to that.
As always though, I’m trying to stay irritatingly positive. I’m determined to reboot my plans for art journaling and daily creativity. I’m even pondering doing the 100-day project this year (if I can think of a suitable project, all suggestions welcome!) despite being rubbish at art challenges recently. With that in mind, I put some new toys on my Christmas list and Santa was very generous.
Luce got me all the kit I need to find out if I remember how to make lino prints, which is something I haven’t done since I was at school. Mum-of Weasel treated me to a set of brushes and some fancy new pens that I’m planning to use to use on a series of drawings with fine line markers and water based inks.
I have new sketch books for my new ideas, and a couple of books to inspire me. I always look forward to my annual Lia Leendertz almanac and I am intrigued by the concept of ‘wintering’. I’ll be reading that one while there are still frosty mornings and a light dusting of snow on the ground here in darkest Shropshire.
I also have this, which may be the most fabulous thing ever to grace my desk…
All in all, I am a very lucky weasel and also a weasel with no excuses not to roll up my sleeves and Make Good Art. And throw Lola’s current favourite bol, obviously. Because bol.
Bonus music video:
As usual, the title of this blog post is a musical reference, in this case the title track of a 2008 album by Ani Difranco. You can find out more about her and her Righteous Babe record label on the Righteous Babe website
The first couple of weeks of my year of living… artfully(?) have been fantastic!
So far, I’m still doing more reading than writing. I’ve been following some of the advice in a very useful book about overcoming creative block and allowing myself to follow random ideas and interesting articles I come across ‘in the moment’, rather than filing them away for later and never going back to them. I’ve broken ground on my art journal and I have so many plans for new projects.
I now have three (three!!) sketchbooks on the go. I know! Look at me. One is for the journal, which I am going to start using every day, even if it’s just to note what I’ve been reading or thinking about. One is for work, which I will probably use more later in the year as I plan for the future.
The last one is shared with Luce. At the moment it’s mostly random silly sketches of things we come up with that make us laugh, like Lola in space (still getting her tennis ball pinched by Ruby. Oh noes!) or ‘Farty and the Tank’…
… but Luce is a very talented writer and we have often discussed collaborating on something creative. The first year of her PhD is pretty intense, with regular lectures involving a three-hour round trip to Warwick. Next year, fingers crossed, she will be more able to manage her own schedule, so we might just find time to start.
In my last blog entry, I spoke about challenging myself to learn new skills. Every artist or crafter I know has a long list of things they’re going to try “one day” and, more often than not, a cupboard full of unused supplies. One of the things in my Cupboard of Shame was a set of pro marker pens that I’d never tried so I used them to colour a couple of sketches.
Oh. My. Goodness. They’re fun. Now I have another few sets on the way! It doesn’t count as a shopping spree, because I used a voucher I got for Christmas. That’s my story and I’m sticking to it… *ahem*…
Since I’ve been sketching again, I find I am more likely to notice and appreciate the small stuff. I’m trying to make positive changes when I can even if it’s something that seems unimportant. Clearing out a drawer recently, I found a beautiful old biscuit tin that my Gran gave me when I was little. I used to keep my pencils in it, and now I do again!
It took all of five minutes to clean it up and sort what I was going to put in it, but it makes me smile every day. Funnily enough, I have been drawing a lot from nature (or photos of nature, taken when I was able to go for long walks!) so it also suits that theme. And I have a butterfly story, but that can wait until next update.
If anyone would like to join me and have a go at art journaling, or writing a journal, or daily sketching, or anything creative at all, I would be absolutely delighted! It’s so easy to ‘burn out’ when you spend a lot of time on your own and art, writing etc. tend to be fairly solitary pursuits. I would love to build a little creative community so that we can offer each other support and encouragement.
For now, I have a Facebook group linked to my Poochweasel page, which anyone is very welcome to join. I’m not a massive fan of Faceache though, so I’m very much open to suggestions. Come and talk to me!
Hello and a belated happy new year! Please stick with me, this post is quite long but also really positive, I promise. And there might be a picture of a daft dog at the end. Oh go on then, let’s start with one too. That’s me photo-bombing on the left:
So here we are in 2020. Even if the world is in turmoil and things seem bleak, the beginning of a new decade seems like a time to take stock and look to the future.
The truth is that the last five years have been a struggle for us here at Poochweasel Towers. That’s not to say there haven’t been good times and we have plenty of reasons to be grateful. We are very happy together, we have wonderful friends and family, excellent doggos, and Luce is finally studying for the PhD she has wanted to do for years. But a ridiculous number of ‘challenging’ things have happened one after another and recovering from them has been difficult.
Also, as you probably know if you follow this blog, I am not doing well health-wise. It seems that every time I sit down to write a post, I start by telling you that I’m struggling and apologising for my lack of new work or availability for commissions. Unfortunately, my situation doesn’t look like it’s about to change any time soon.
I have suffered from chronic arthritis since I was about 12. I have had fusions in my neck and lower back. Last year, after nearly a year of waiting for various scans etc, I had the first of two procedures to fuse my sacroiliac joints. I was told the second surgery should be 8-12 weeks later. Turns out that even if you need two procedures for the same reason, they are treated separately and the NHS clock resets after each one, so it will be another 6 months before I become ‘urgent’ again. And it can take a year or so to fully recover from fusion surgery… None of this is the fault of the hospital or the NHS of course but being ‘lop-sided’ is not doing me any favours. I find it difficult to sleep, I can’t stand for long or walk very far, and I can’t sit at my desk for any length of time.
Unsurprisingly, all this has taken a toll on my mental health too. I have found it increasingly difficult to be creative and being creative is what makes me happy. Mid December, when I found out that my next surgery probably wouldn’t happen before July 2020, was a particularly low point, so I had a little talk with myself. “Ok me”, I said, “You can’t change your circumstances, but you can choose how you react to them, so what are you going to do about it?” My first thought was “that’s it, I’m going to have to retire”. But I don’t want to do that yet and thinking about it made me miserable. I pondered the probable timing of the surgery/recovery and decided I would have to take a year off. Obviously, my first reaction was to panic. Then I thought “would that really be so bad?” Luce and I have always been determined to take the positive from any situation, even if it’s just a lesson we’ve had to learn the hard way. The more I thought about it, the more positives and possibilities I saw. So that’s what I’m going to do, but I’m not going anywhere and there will be no moping or moaning or feeling sorry for myself. I plan to use the time to ‘get my mojo back’ and start art-ing and writing and generally ‘weaselling about the place again.
I find January is a rubbish time to start anything. Like going on a diet when the house is still full of Christmas chocolates and there’s a litre of Baileys in your fridge (*ahem*). So, the next couple of weeks will be mostly spent reading, listing and organising. And maybe finishing some of the chocolates, if I can prise them away from Luce….
Here are some of my plans so far.
Firstly, tiny dogs. I love making tiny dogs. There will always be tiny dogs. Unfortunately, I won’t be able to take on commissions until I’m fully recovered because I can’t guarantee if/when I will be able to make them. Even if people are very patient and prepared to wait (which they nearly always are) my work list quickly stacks up and causes me a lot of stress. I don’t mind being under pressure when I’m able to work full-time but when I’m not I imagine people being fed up if I’m doing anything other than making their order and that stops me doing anything creative at all. So, no commissions for a while, but more tiny dogs in general. Also, I have some long-term tiny dog projects that have been on a back burner for years and I would love to start bringing some of those to life. Think really imaginative, detailed models. Maybe some animations. Maybe starting to head towards a small exhibition, or even a book?
Before any of that fun, I must get back into good creative habits and for me, that starts with sketching. I’ve been reading about art journaling and I’m planning to give that a go. I’m also going to be doing #inktober52 which has prompts for an ink sketch every week. I got way behind with last year’s #Inktober, which is a sketch every day, but I’m hoping I can manage this!
Self-care is important but mindfulness and meditation aren’t really my thing. Being creative is what gives me ‘head space’ and provides an antidote to stress and anxiety. Stupidly, like many creative folks, I also put myself under unnecessary pressure to produce something fabulous every time I pick up my clay or put pen to paper. I’m pretty sure that doing more spontaneous quick sketches etc. will help me get over that, as will getting out of my comfort zone and trying some new things. I might even ask for suggestions or challenges!
Which brings me to social media and the amazing people who follow and support what I do. I was surprised and delighted when Poochweasel took off as quickly as it did back at the beginning of the last decade, and I am enormously grateful that so many of you have stayed with me. Every comment or share or RT or post ‘like’ really is appreciated. Keeping things going on social media without a steady stream of new work (or ‘content’. Ugh.) is difficult and time-consuming, so it will be a massive weight off my shoulders to have new things to show you.
I love being self-employed but it can mean being rather isolated. I would very much like to share what I get up to while I’m finding my way back to a regular creative routine. The odd posts I’ve made about personal projects have been popular, so I’m thinking some of you might find it interesting. I also know that a lot of other people are going through similar problems and I would love to build a community where we can chat and support each other.
Having said that, I realise that plenty of people are only here for doggos and that’s fine! I’m going to use my blog for this project, probably as an extension of my art journal. I’m thinking I’ll label these journal entries simply by date and other updates will have the usual fancy music-related titles(!) I’ll post/tweet links and include a brief description of each entry, so you can easily pick and choose.
I’m planning to keep the Poochweasel Facebook page as it is and share any dog-related art as usual. I will use the ‘closed’ (members only) Poochweasel Facebook group for everything else. The only reason the group is closed is so that I don’t spam your feed with other arty/silly stuff that may not interest you, and to encourage people to chat and post their own work without making it public on Facebook. Anyone is welcome to join. Here’s a link: www.facebook.com/groups/poochweasel You can also find also a link on the Poochweasel page, or just do a Facebook search for ‘Poochweasel’.
Twitter and Instagram work differently, and I might be able to separate things enough just by using different hashtags. I’ll play that by ear.
Having ended 2019 feeling properly down in the dumps, I’m excited to see where the next year or so takes me artistically, and that has made me feel a whole lot better already. I really hope I can pass on a bit of fun and positivity along the way.
Thank you so much if you’ve read this far. I’d love to hear what you think!
As promised, here’s a daft dog. If you cheated and skipped straight here, I understand.
Bonus Music Video:
The title of this post is a lyric from Golden Years by David Bowie, form the album ‘Station to Station’.
“Bowie made an appearance on Soul Train singing (actually, lip synching) ‘Golden Years’ and ‘Fame’ on November 4, 1975. Few white performers had appeared on the show, but host Don Cornelius gave him a warm welcome, introducing him as “one of the world’s most popular and important music personalities.”
