Look at me keeping up with #the100DayProject like a champ! And not keeping up with social media at all… Oh well, if something’s got to give it’s better that way round. Here’s another update on my 100 Days of Women in Music, which I’m also using as a hashtag for the project on Twitter and Instagram. I’m so pleased that I’m still enthusiastic about the whole thing and I’ll definitely be carrying on and seeing where it ends up after the 100 days.

I’ve now finished eleven drawings, an average of one every three days, which is pretty good going. Here’s the one I was just starting when I last blogged:

I loved doing this. ‘Mama’ Cass Elliot, best known for being in The Mamas & the Papas in the mid 1960s. She has been one of my favourite singers since I was a little girl. Even before I developed a love of California folk-rock, I saw her playing a character called Witch Hazel in the 1970 film version of an unhinged US children’s show called HR Pufnstuf. Don’t do drugs kids, there’s no need! You can safely experience all the thrills of not knowing what the flipping heck is going on or why by watching the video clip below…

I actually did a really quick sketch of her character for Inktober a few years ago.

After that I struggled a bit. I did two sketches I wasn’t entirely happy with, but I’m taking a deep breath and sharing them anyway because as well as commitment, this project is also about about sharing your ‘process’. I’m not unhappy with them exactly, but I think the shading on both is a little overdone, probably because I found myself thinking about how many drawings I might manage in the hundred days and subconsciously rushing to finish.

That’s part of the reason I committed to black and white ink drawings though, at least or this first bit of the project. There’s nowhere to hide. I’d already planned to do more than one picture of both, and I’m still improving my rusty people-drawing skills, so I’m happy as long as I’m generally going in the right direction. This week I had a stern talk with myself, slowed down, gave myself lots of detail to faff with and waddya know… I’m much happier with this!

Siouxsie Sioux of Siouxsie and the Banshees. Note to self: no more 1980s fishnet gloves. I was seeing those in my sleep. I’ve drawn a lot of dark hair recently too, maybe I’ll go for someone bald next? I have a couple of candidates for that.

Bonus Music Video

Seeing as I shared the Witch Hazel clip, I think it’s only fair that this week’s video is Cass singing live. Not the best quality visuals but that voice still give me goosebumps.

Happy New Year, everyone!

Apologies for disappearing again. Like so many others, the latter part of 2020 was truly awful for us. Luce’s dad sadly passed away in November and we lost our beautiful Ruby dog right before Christmas so it was a very sad time. Also, due to the pandemic, I’ve now been waiting over 18 months for the second part of a two-part spinal surgery and being lop-sided for all that time is really taking its toll. So yah boo to that.

As always though, I’m trying to stay irritatingly positive. I’m determined to reboot my plans for art journaling and daily creativity. I’m even pondering doing the 100-day project this year (if I can think of a suitable project, all suggestions welcome!) despite being rubbish at art challenges recently. With that in mind, I put some new toys on my Christmas list and Santa was very generous.

Luce got me all the kit I need to find out if I remember how to make lino prints, which is something I haven’t done since I was at school. Mum-of Weasel treated me to a set of brushes and some fancy new pens that I’m planning to use to use on a series of drawings with fine line markers and water based inks.

I have new sketch books for my new ideas, and a couple of books to inspire me. I always look forward to my annual Lia Leendertz almanac and I am intrigued by the concept of ‘wintering’. I’ll be reading that one while there are still frosty mornings and a light dusting of snow on the ground here in darkest Shropshire.

I also have this, which may be the most fabulous thing ever to grace my desk…

All in all, I am a very lucky weasel and also a weasel with no excuses not to roll up my sleeves and Make Good Art. And throw Lola’s current favourite bol, obviously. Because bol.

Bonus music video:

As usual, the title of this blog post is a musical reference, in this case the title track of a 2008 album by Ani Difranco. You can find out more about her and her Righteous Babe record label on the Righteous Babe website